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Eric Schamschula

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technique_image_1: Melted and moulded in lost wax - polished on the sides

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technique_image_2: Melted and moulded in lost wax - polished on the sides

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sous_titre_1: The artist

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Eric Shamschula was born in Tchecoslovokia in 1925, he is from a family of musicians. He spent most of his life in France, namely in Normandy. He died in 2004.

Was Eric Schamschula an artist ?
He probably was, under the sign of the fair creation, he was since that first day of his birth set in the cradle of Merlin the Enchanter's. He immediately set to shout and his sounds turned into music. All kinds of artists, musicians, partners, sculptors, poets, glassblowers have more or less rocked his cradle. The strong small guy who would leave that cradle inherited different talents from each of them in a word Eric Schamschula, had the soul of an artist.

While he was a designer of models at Riesdel glass factory in Vienna. In the 1970's and the 1980's. Schamschula developed a technique which he kept secret to prepare molten glass. In that very period he dealt with monumental works.

sous_titre_2: Technique

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Molten glass making is a difficult technique to handle. It requires a full command of the matter, colouring, and temperatures which implies an alchemy of combinations.

The number of obstacles he had to overcome were impressive : the slightest draught could result into a hurricane and where the painstaking creation, well performed could explode at the removal from the mould thus destroying in one second , years of accumulated knowhow. Yet, Eric Schamschula never felt discouraged and until the end of his life, he controlled with a total supremacy several methods which he led to perfection.

His efforts resulted a works of an extreme beauty and impaired colouring .His last achievements consist in rather geometric figures, polished, and composed of a combination of transparent crystal and molten glass which had been oxide-coloured.

sous_titre_3: Exhibitions

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The works of Schamschula are in the collections of decorative arts in Paris. At the glass museum in Sars-Poteries. At Rosenthal's (chez Rosenthal) in self Germany, and many private collections. He arranged exhibitions in Paris, Lillebonne, Strasbourg, Nantes, Toulon, Antibes, as well as in Switzerland, in Germany, in Austria and in Japan.

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Josefina Kaucka Nerell

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image_1: images/stories/com_form2content/p2/f142/9.jpg

technique_image_1: Molten glass

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technique_image_2: Molten glass

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technique_image_3: Molten glass

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technique_image_4: Molten glass

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sous_titre_1: Biography

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He was born in Czech Republic, where she lived and studied – economics (Master of Science degree in Praha), and ceramics (for ceramist I. Jelínek). She then moved to England (ceramics studies for D. Leach) and to Sweden (sculpture studies for acclaimed sculptors G. Stacy and V. Sto?es).
In her work, Josefina uses clay (terracota and raku) as well as metal, mostly bronze. She works at different foundries in Sweden and Oman. Her bronzes are made by using two techniques – sandcasting and ceramic skin casting. She comes from the area with a very long tradition of glassmaking and her recent work also involves glass.

Josefina´s glass-sculptures are casted by use of technique „lost vax“. Originally there is a model created in vax, then a mold made from sand and plaster. The whole mold is then heated in order to let the vax melt down and leave the mold, which, after being cleaned of unpurities, is set into the glasskiln and filled with pieces of glass, preferably crystal. The glass in the kiln slowly melts down and fills the cavity in the mold. The whole process of glass-casting is rather time-consuming. The melting point for glass is approx. 800-850C, depending of the type of glass. The most important part of casting is the cooling process, which can take up to 3 weeks for a small sculpture.After taking the object out from the kiln, it must be cleaned and treated in different ways in order to get the last finish – shiny or matt. Every piece is the original one.

sous_titre_2: Exhibitions

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- Skövde, Sweden 1990
- Göteborg, Sweden 1991 – 98
- Semily, Czech rep. 1994
- Praha, Czech rep. 1995
- Atlanta, USA 1996
- Muscat, Oman 1998, 2002
- Tjörn, Sweden 2000, 2004
- Dubai, UAE 2001
- Semily, Czech rep 2005
- Praha, Czech rep 2005
- Utrecht, Netherlands 2006
- Göteborg, Sweden 2008
- Ceske Budejovice, Czech rep.2008

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Jiri Karel

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image_1: http://www.e-glass.info/images/stories/com_form2content/p2/f150/9.jpg

technique_image_1: Sculpture en verre fusé - taillé avec métal inox poli

image_2: http://www.e-glass.info/images/stories/com_form2content/p2/f150/10.jpg

technique_image_2: Sculpture en verre fusé taillé et peint

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technique_image_3: Sculpture en verre fusé taillé et peint

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technique_image_4: Sculpture en verre fusé taillé

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sous_titre_1: Technique

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Les sculptures sont créées par la fusion du verre plat, d?une épaisseur minimum de 1mm, dans un four électrique. Ensuite il faut compter le temps de refroidissement de quelques jours ou bien plusieurs semaines. Puis, on ajoute des éléments de peinture ? les materiaux de cuisson, comme les pigments, et des oxydes métalliques (or, argent, larget). Ces procédures pour obtenir les colorations sont dans un premier temps chauffées à la temperature de 560°C, puis fusionnées dans un bloc compact. Ce bloc est taillé d´après une conception artistique par une scie diamant, et puis taillé et poli par des disques horizontaux ou verticaux.
Pour le cas de sculpture alliant plusieurs matériaux : "Connection", le verre est travaillé avec un acier inoxydable.
Parfois, une oeuvre peut encore être peinte sur la surface polie et encore une fois recuite dans un four.

sous_titre_2: Biography

texte_2:

Date of birth: 10.09.1952
Education: 1968-1971 Secondary Educational Establishment of Glass o.p. Crystalex, Novy Bor

1971-1975 Secondary Glass School of Applied Arts Kamenicky Senov
(specialization:painting,corroding and sanding of glass,Mr.Rybacek,Mr. Kochrda)

sous_titre_3: Exhibitions

texte_3:

991 20th Anniversary Show, Gallery "L", Hamburg, Germany

1994 Gallery Art du Verre, Luxemburg

1996 Gallery Broft, Eindhoven, Holland

2OO3 Gallery Pyramida, Prague, Czech RepublicAttendance at collective exhibitions:

1976 Prague-Fragner Gallery, Czech Republic

1978 The North - Czech Museum, Liberec, Czech Republic

1980 IHM, Munich, Germany, UNESCO, Belgrade, Jugoslavia

1981 The Corning Museum of Glass, Corning, New York, USA, Rozen Gallery, Holland

1985 Moravian Gallery, Brno, 7th competition of cropped and cut glass, Czech Republic

1986 IHM Munich, Germany

- Rob van den Doel Gallery, the Hague, Holland
- Glass Art Gallery manfred Glatz, Stuttgard, Germany
- Gallery Lafontaine, Saarbrucken, Germany
- Interart 86, Poznan, Poland
- Glass Art Gallery Schwennenbach, Germany

1987 IHM Munich, Germany

- Gallery Transparence, Brussels, Belgium
- Rosenthal, Art Studio, Hamburg, Germany
- Towo Art Center, Japan
- Glass Sculpture, Art Gallery Brno, Czech Republic
- Graphic and Overtime Glass from Bohemia, Bielefeld, Germany
- New Glass- Czechoslovakia, Heller Gallery, New York, USA
- Glass Now 87- Yamaha Galleries, Tokyo, Japan
- Contemporary glass sculpture and glass jewel - Czechoslovakia, M.A. Bazovsky Gallery, Trencin,
Slovakia
- H. Ohrner, GMD, Munich, Germany
- IFM Frankfurt, Germany
- Ain Co., Ltd. Japan
- Congress Hall, Coburg, Germany
- Moravian Gallery, Brno, 8th competition of cropped and cut glass, Czech Republic
- Holsten gallery, Palm Beach, Florida, USA

1988 Glass Art Gallery Nordend, Munich, Germany

- IHM Munich, Germany
- Glass Now 88, Yamaha Galleries, Tokyo, Japan
- Marko Crystal, USAGlass Art Gallery Hafendamm, Flensburg, Germany
- Interart 88, Poznan, Poland
- Essener Glass Art Gallery, Essen, Germany

1989 Holsten Gallery, Palm Beach, Florida, USA

- Cristalo D`Arte Cecoslovacco, Rome, Italy
- IHM Munich, Germany
- Gallery"L", Hamburg, Germany
- Lee Sclar Gallery, New Jersey, USA
- Rob van den Doel Gallery, the Hague, Holland
- Essener Glass Art Gallery, Essen, Germany
- Gallery Suzel Berna, France
- Museum for Art and Craft, Hamburg, Germany
- Gallery of Glass and Pottery, Bonn, Germany
- Glass Art-Czechoslovakia, Amtshaus Moisburg, Glass Art Gallery Hittfeld, Germany
- Glass Art-Czechoslovakia, Hamburg-Center, Glass Art Gallery Hittfeld, Germany
- Towo Art Center, Japan

1990 Art Gallery of State Technical University of California, San Obispo, USA

- The Exhibition Hall in Heilbronn, Germany
- Glass Sculpture, The Museum in Zdar nad Sazavou,Czech Republic

1991 Institute of Men and Worldwork, Baden-Baden, Germany

- Glas Now 92, Yamaha Galleries, Tokyo, Japan
- Prague, The Exhibition Hall Manes, Prague Glass Prize 91, Czech Republic
- Glasswork Gallery, Berlin, Germany

1992 Heller Gallery, New York, USA

- Glass Now 92, Yamaha Galleries, Tokyo, Japan
- Glass Sculpture 92, Art Gallery Brno, Czech Republic
- Beeldspraak Gallery, Amsterdam, Holland
- Wertheimer Museum of Glass, Germany
- The International Exhibition of Glass Kanazawa 92, Japan
- Norre Port, Halmstad, Sweden
- IFM Frankfurt, Germany
- Art Q Form Gallery, Arnbruck, Germany
- E. Stolting Glass Art Gallery, Arnbruck, Germany

1993 Art Q Form Gallery, Arnbruck, Germany

- Art Glass Centre, Schalkwijk, Holland
- E. Stolting Glass Art Gallery, Hittfeld, Germany
- Gottschalk-Betz Gallery, Frankfurt, Germany
- Glass Art Gallery, Toronto, Canada
- The International Exhibition of Glass, Nürnberg, Germany
- Van Noordenne, Holland
- Wertheimer Glass Art, Germany

1994 Vetro Gallery, Frankfurt, Germany

- Glass Now 94, Yamaha Galleries, Tokyo, Japan
- The Middle Europe Gallery, Prague, Czech Republic
- Gallery Lafontaine, Saarbrücken, Germany
- Gallery D`art, Montreux, Switzerland

1995 Glass Now 95, Yamaha Galleries, Japan

- Gallery Art du Verre, Luxemburg
- Glass Art Gallery Frauenau, Germany
- Museum for Art and Craft, Hamburg, Germany

1996 Gallery Art du Verre, Luxemburg

1997 Gallery "L", Hamburg, Germany

- Gallery Mozart, Prague, Czech Republic
- Gallery Pyramida, Prague, Czech Republic
- Fine Art, Hamburg, Germany

1998 Espai Vidre Fundacio- CVB, Barcelona, Spain

- Gallery Pyramida, Prague, Czech Republic
- Museum for Art and Craft, Hamburg, Germany
1999 Gallery Mozart, Prague, Czech Republic

- Gallery Art du Verre, Luxemburg
- Teplice, The City Museum/"Togehter" 30 years of Float in Glass Art Glaverbel Czech 1999- Teplice
- Zlata Debnar Gallery, Prague, Czech Republic

2OOO Gallery"Z", Prague, Czech Republic

2OO1 Gallery Pyramida, Prague, Czech Republic

2OO2 Gallery Minea, "2nd Festival of Art Glass", Karlovy Vary, Czech Republic

2OO3 IHM-Munich, Germany

- Gallery"Z", Prague, Czech Republic
- Gallery Pyramida, Prague, Czech Republic
- Gallery Meridian, Prague, Czech Republic
- Gallery Doxa, Cesky Krumlov, Czech Republic
- Gallery Minea,"3rd Festival of Art Glass",Karlovy Vary,Czech Republic

2OO4 Gallery Brehova, Prague, Czech Republic

- Gallery Pyramida, Prague,Czech Republic
- Gallery Meridian, Prague,Czech Republic
- Gallery Doxa, Cesky Krumlov,Czech Republic
- Gallery Minea,"4th Festival of Art Glass",Karlovy Vary,Czech Republic

2005 Gallery Brehova,Prague,Czech Republic

- Gallery Pyramida, Prague,Czech Republic
- Gallery Meridian, Prague,Czech Rebublic
- Gallery Doxa, Cesky Krumlov,Czech Republic
- Gallery Minea,5th Festival of Art Glass",Karlovy Vary,Czech Republic

Attendance at public collections:

The Corning Museum of Glass, Corning, New York, USA
Moravian Gallery Brno, Czech Republic
National Museum Poznan, Poland
National Museum Wroclaw, Poland
East-Bohemian Museum in Pardubice,Czech Republic

Prize

Triennale- Prize, The International Competition of Glass Art, Nürnberg, Germany, 1993

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Jirina Zertova

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technique_image_1: Sculpture en lamelles de verre peintes

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technique_image_2: Sculpture en lamelles de verre peintes

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sous_titre_1: Biography

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Artiste Tchèque, née en 1932.

"The secret of the artist is the way she paints the glass plates. Who looks at the object edgewise does not see anything. Who looks from the top or askew on the carefully arranged plates sees and believes that he suddenly discovers a sphere. It stems from a mirage, created by the sophisticated painting.
Plate? Sphere? It has been something here before. There were times people believed, that they were living on a table. Then slowly was put across the right theory. Jiřina ?ertová shifts now both these theories together: the right one is actually included in the false one. On the other hand maybe we can see the right one only through the false one".
Ernst Brennecke, 9 Aril 2005

sous_titre_2: Education and Caree

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1947-1950 State School for Graphic Arts, Prague
1950-1955 Academy of Arts Architecture and Design, Prague
Since 1956 Independent artist, external cooperation with glass industry, design of domestic glass (Glassworks Bohemia Poděbrady), free blown and engraved glass (ÚUŘ – Škrdlovice Glassworks)

Sixties
At the end of the fifties and in the sixties her work was completely transferred to create spacious glass s culptures in glass works, that she finalize by combining the glass with metal or wood.

Seventies and eighties
In the late seventies she starts to place her objects on painted pedestals or flats, later she begginws to use the painting also to put the finishing touches to the glass objects. Spatious wildly painted free-blown objects are typical for her work from the eighties.

After 1990
A big changeover in her work comes after the year 1990 when she goes over to painting on glass plates and by stacking them she creates interesting mirages.

Award
1957 Trienale di Milano, silver medal, Milan, IT

sous_titre_3: Solo Exhibitions

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1973 Galerie Lobmeyer, Wien, AT
1975 North Bohemian Museum, Liberec, CZ
1982 Gallery Rob van den Doel, Gravenhaven, NL
1984 Galerie Centrum, Prague, CZ
1987 Galerie Centrum, Prague, CZ
1988 galerie Gottschalk – Betz, Frankfurt A.M., DE
1992 Miller Gallery, New York, USA
1994 Galerie Domu U Jonáše, Pardubice, CZ
1998 Bender-Boehringer – Zentrum, Wien, AT
1999 Gallery of Fine Art, Ostrava-Poruba, CZ
2001 Gallery of Fine Art, Znojmo, CZ
2005 Glasgalerie Hittfeld, Hamburg, DE
2006 Leo Kaplan Modern, New York, USA

sous_titre_4: Public collections

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Moravian Gallery, Brno, CZ
Museum of Glass and jewellery, Jablonec nad Nisou, CZ
North Bohemian Museum, Liberec, CZ
Crystalex., Nový Bor, CZ
East Bohemian Museum, Pardubice, CZ
Museum of Applied Arts, Prague, CZ
Kunstsammlungen der Veste, Coburg, DE
The Corning Museum of Glass, Corning, New York, USA
Kunstmuseum, Düsseldorf, DE
Glasmuseum, Ebeltoft, DK
Museum für Kunst und Gewerde, Hamburg, DE
Museum, Jelenia Góra, PL
Musée des Arts Décoratifs de la Ville, Lausanne, CH
The Lannan Foundation of Contemporary Arts, Palm Beach, USA
Museum Narodowe, Wroclaw, PL
Steinberg Foundation, Vaduz, LI
Museum of Science and Industry, Los Angeles, USA

sous_titre_5: Selected exhibitions since 1990

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1990 International Exhibition of Glass, Kanazawa, JP
1990 New Glass in Europe, Düsseldorf, DE
1991 Configura, Art in Europe, Erfurt, DE
1991 Centre St. Severe, Glass, Rouen, FR
1991-1992 Prague Glass Prize, Gallery Mánes, Prague, CZ / Heller Gallery, New York, USA
1993 Bohemia Crystal, Segovia, SP
1994 Glass of the 20th Centruy, East Bohemian Museum, Pardubice, CZ
1994 Prague Glass Art, Historisches Muzeum Bamberg, DE
1996 International Glass Exhibition Venezia Aperto Vetro, Palazzo Ducale, Museo Correr, Venezia, IT
1997 Glass Art from Czech republic, Bender Art Calender 98, Wien, AT
2000 Light – Transfigured, Hida, Takayama, Gifu, JP
2001 Sensitive Touch, Studio Glass Gallery, London, GB
2001-2007 Verriales, Galerie Internationale du Verre, Biot, FR
2003 and 2006 IGS Crystalex, Nový Bor, CZ
2004 Sculptures – Seuil, L´Institut français de Prague, CZ
2004 Leo Kaplan Modern, New York, USA
2004 International Exhibition of Glass, Kanazawa, JP
2005 Tschechisches Glas 1945-1980, Düsseldorf, DE
2005 Expo 2005, Aichi, JP
2006 S.V.U. Mánes, Gallery Diamant, Prague, CZ
2007 Czech Glass Art 1945-1980, Veletr?ní palác, Prague, CZ

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Pavel Hlava

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technique_image_1: Sculpture en lamelles de verre collées et polies - base en verre soufflé taillé et poli

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sous_titre_1: Biography

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Artiste Tchèque

1924-2002

    1939 à 1942 - Formation à l'école professionnelle de verrerie à Zelezny Brod.

    1942 à 1948 - Etudes à l'école supérieure des arts décoratifs de prague - Atelier du Professeur karel Stipl.

    1952 à 1958 - designer au bureau central d'étude de l'industrie du verre et de la céramique à Prague.

    1948 à 1985 - designer à la section du verre de l'institut du mobilier et du costume à Prague.

Dès 1967 - Enseigne au Royal Collège of Art de londres.

Depuis 1985 - Artiste indépendant.

Il assume également des fonctions d'organisateur (les interglassymposiums de Novy Bor)

Toutes les techniques lui sont familières et il leur apporte d'intéressantes innovations.

Dans les années quarante et cinquante, il se consacre surtout au verre gravé, puis, dans les années soixante et soixante-dix, il réalise des vases/bouteilles soufflés dans un moule en grillage ainsi que des vases et objets à décors enfoncés.

Dans les années quatre-vingt , il s'oriente vers des objets taillés, renouant ainsi avec le principe de ses premiers vases uniflores.

Ensuite son intérêt le mène vers le "Studio Glass", qui résume toutes ses expériences techniques et formelles(Cycles : Biologie, Civilisation, Energie).

En qualité de designer il a crée plusieurs modèles, fabriqués avec succès dans les ateliers de l'entreprise Cruytalex dont il à présidé le conseil artistique.

Depuis 1967 et sa participation à l'exposition de Montréal, il a réalisé de nombreuses oeuvres monumentales.

Il s'est vu décerner de nombreuses distinctions et de nombreux prix.

Ses oeuvres se trouvent dans de nombreux musées et collections privées de par le monde.